Author: Bill Graham

Chuck Mangione made it feel so good, whether you were tuning in to the ‘76 Olympics or shopping at MegaLo Mart. From Eastman to the world stage, the flugelhorn legend from Rochester played with heart, humor, and that unmistakable hat. We remember him not just for the notes, but for the joy behind them.

Who says it’s too late to start? Jim Stanard left music for 40 years, only to come back with three albums, a sharp pen, and a voice that still has something to say.

Brayden Baird’s new album, ‘Lord, Why Do You Do These Things To Me,’ came from a storm of grief, rage, and loss. But it’s what helped him claw his way back to joy.

Influenced by author George Saunders’ philosophy—“If it’s not fun, don’t do it”—Scheffler embraced a new creative rhythm and rediscovered his voice after two decades away from music.

With ‘Chip Off The Old Block,’ Big Chief Bo Dollis Jr. channels Memphis soul, Mardi Gras Indian tradition, and his father’s enduring legacy into a groove-heavy celebration you can’t sit still for. Recorded at Memphis’ legendary Royal Studios—home to Al Green, Tina Turner, Chuck Berry, and Buddy Guy—it’s music with deep roots and dancing shoes required.

Blues lifer Larry McCray has walked through Heartbreak City and come out with songs that carry both scars and soul. Produced by Joe Bonamassa and Josh Smith, his new album draws from a lifetime of hard knocks and the fire first lit by his sister Clara. With ‘Heartbreak City,’ out June 13 via KTBA Records, McCray proves once again that he’s singing the blues like he means it.

Jorma Kaukonen brought his quietly profound presence to Rochester, offering an evening of stripped-down, soul-deep music with longtime friend and collaborator John Hurlbut. Together, they summoned the spirit of Fur Peace Ranch—storytelling through strings, memory through melody.

Joanne Shaw Taylor’s ‘Black & Gold’ explores desire, doubt, and the sting of letting go—woven tightly with a rich blues pulse that grounds every heartfelt confession.

Rooted in Creole tradition but reaching far beyond it, Jeffery Broussard and The Nighttime Syndicate’s album ‘Bayou Moonlight’ honors the past while boldly redefining zydeco with touches of R&B, funk, and soul.

Ranging from reflections on his own birth during a blizzard to exploring themes of homelessness and personal isolation, this new album offers poignant narratives set to a rich musical backdrop. With a rotating cast of talented musicians, Jefferson continues his mission of creating a unique blend of acoustic urban storytelling.