Browsing: Interviews

For the artist who’d soon be known as Fantastic Negrito, busking was not a first step. It was a way to restore a sense of purpose following a disastrous major label experience and a debilitating accident. “There’s a lot of power not caring. not wanting things, and that’s how busking was for me.”

Author Cary Baker shares exclusively a chapter from his new book, ‘Down On The Corner: Adventures in Busking and Street Music.’

Jostein Forsberg, a musician and former steel worker born and raised in Notodden, has served as the festival’s director since 1990. In his conversation with American Blues Scene, Jostein explains how the festival became a mainstay of the local economy after the industrial jobs vanished.

“I just feel that music and song can be so much more than entertainment, and maybe that’s really what it’s supposed to be about.”

Mary Gauthier is a very unique contemporary artist whose music has proven what she says in her performances, her recordings, and placements of her music in the soundtracks of TV shows like ‘Yellowstone’ on Paramount Plus, ABC’s ‘Nashville’, Masterpiece Theatre’s ‘Case Histories,’ Showtime’s ‘Banshee,’ and HBO’s ‘Injustice.’

Shemekia Copeland’s new album ‘Blame It On Eve,’ out now via Alligator Records, sustains a level high enough to which other contemporary blues albums struggle to reach. The list of musicians who sat in is a who’s who of talented headliners in their own right: Americana superstar Alejandro Escovedo, guitarists Luther Dickinson and Charlie Hunter, lap steel master Jerry Douglas, and young sacred steel wizard DaShawn.

About as close as trumpet player Herb Alpert ever came to the blues was signing artists like Joan Armatrading and Quincy Jones to A&M Records, but his role as a renaissance artist, record executive, painter and sculptor could fill a book on how independent artists can make it out of the bush leagues that so many blues artists seem to get stuck in.