Author: Don Wilcock

Now into his second half century as the warrior music journalist, Don Wilcock began his career writing “Sounds from The World” in Vietnam, a weekly reader’s digest of pop music news for grunts in the field for the then largest official Army newspaper in the world, The Army Reporter. He’s edited BluesWax, FolkWax, The King Biscuit Times, Elmore Magazine, and also BluesPrint as founder of the Northeast Blues Society. Internationally, he’s written for The Blues Foundation’s Blues Music Awards program, Blues Matters and Blues World. He wrote the definitive Buddy Guy biography 'Damn Right I’ve Got The Blues,' and is currently writing copy for a coffee table book of watercolor paintings of blues artists by Clint Herring.

About as close as trumpet player Herb Alpert ever came to the blues was signing artists like Joan Armatrading and Quincy Jones to A&M Records, but his role as a renaissance artist, record executive, painter and sculptor could fill a book on how independent artists can make it out of the bush leagues that so many blues artists seem to get stuck in.

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Interview with Rory: Having her interpret these songs as a woman who knew Dylan when she was still a tweenager is a unique and fascinating journey into arguably the best songwriter of the last 60 years executed by a woman who is arguably the best acoustic guitarist of either gender. The result, ‘Positively 4th Street,’ is a one plus one equaling two to the nth power, a truly mature expression suitable for the 21st century.

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Interview with Rory: Having her interpret these songs as a woman who knew Dylan when she was still a tweenager is a unique and fascinating journey into arguably the best songwriter of the last 60 years executed by a woman who is arguably the best acoustic guitarist of either gender. The result, ‘Positively 4th Street,’ is a one plus one equaling two to the nth power, a truly mature expression suitable for the 21st century.

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