Additional Reviews
Blood harmonies, blazing guitars, and a genre-spanning set marked Larkin Poe’s first appearance at St. Charles’ historic Arcada Theatre.
Stirling’s Arizona return featured soaring violin work, intricate choreography, and the theatrical spectacle that defines her live shows.
The Authority Zero frontman traded arenas for an intimate Scottsdale stage, creating a memorable night for those in attendance.
The 42nd Annual Chicago Blues Festival filled Chicago’s Millennium Park with three days of blues history in motion, as the blues took center stage with performances spanning generations, styles, and traditions.
Despite the desert heat, Kurt Vile and the Violators delivered a cool, immersive performance at The Van Buren, showcasing the depth of their catalog during a nearly three-hour set that brought fans together across generations.
Thousands filled Millennium Park for a day of standout performances that concluded with Marquise Knox, C.J. Chenier, Elvin Bishop & Charlie Musselwhite, and an all-star Alligator Records revue.
Blues on the Fox 2026 Review/Gallery: Trombone Shorty, Eric Gales, Tommy Castro & Ally Venable
Tommy Castro, Ally Venable, Eric Gales, and Trombone Shorty headlined a festival that celebrated both Aurora’s blues past and its vibrant present.
A kickoff at Ramova Theatre launched the 2026 Chicago Blues Festival, highlighted by John Primer’s Tribute to Theresa’s Lounge and a strong thread of blues history.
The Juke Joint Festival remains one of the blues world’s great annual gatherings, bringing together legendary performers, emerging artists, and devoted fans in the place where many of their stories intersect.
New & Renewed: The Builders and The Butchers’ ‘No Tomorrow’ and Linda Ronstadt’s ‘The Early Years’
New work from The Builders and The Butchers meets a look back at Linda Ronstadt’s formative years—two perspectives on endurance, evolution, and what holds over time.
Women-led acts delivered some of the most talked-about sets aboard Little Steven’s Underground Garage Cruise 2, a floating garage-rock festival sailing from Miami to Cozumel.
Thirty-nine minutes of no wasted space — The Record Company’s debut still packs a full-body punch.
