Author: David Scott

‘John Mayall Plays John Mayall Live at Klooks Kleek’ captures his multifaceted talent, with standout harmonica solos and powerful vocal delivery, while his collaboration with saxophonists like Nigel Stanger introduces an unexpected yet powerful brass element to the music. This live recording not only highlights Mayall’s ability to seamlessly lead his band, but it also provides a glimpse into the early stages of British blues, paving the way for future generations.

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A tender plea for connection, the song invites a friend to share their pain and find solace in understanding. With her trademark smoky vocals, Liz reaches out with raw emotion, demonstrating her incredible range and vulnerability.

“You Can Cry” is further elevated by the soulful blues talents of Broken Windows, serving as a powerful reminder that support and hope are always within reach.

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A precursor to a much-anticipated project, “Wickerman” is a testament to Ruth Lyon’s remarkable artistry and resilience. With intricate melodies and a raw, emotional performance, Lyon’s music is as much a personal exploration as it is a universal anthem for healing. The accompanying video reflects the beauty of the song, capturing the rebinding of self amidst life’s disorienting changes.

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‘A Complete Unknown’ is a masterful dive into the early days of Bob Dylan’s career, tracing his path from Minnesota folk hopeful to musical legend. Directed by James Mangold, the film highlights Dylan’s collaborations with blues greats like John Lee Hooker and Brownie McGhee, showcasing his profound influence on American music.

With over 30 songs and stunning performances, including Timothée Chalamet’s spot-on portrayal of Dylan, the biopic immerses audiences in a rich tapestry of blues, folk, and rock history.

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Discover the Best Five UK Blues Singles of 2024: From Joanne Shaw Taylor’s deeply personal heartbreak to Mick Clarke’s funky Latin blues grooves, this list celebrates the year’s most captivating blues tracks, featuring soulful vocals, powerful storytelling, and exceptional musicianship.

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To his family, friends, and the local blues communities he was a titan. Robert was the founder and artistic director of The Ealing Blues Festival, the longest running event of its type in London. He was also a self-deprecating “bluesmaster, funkateer, global groover and raconteur.”

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