When I was writing The Language of the Blues: From Alcorub to Zuzu, it was driving me crazy that I couldn’t find any research explaining why musicians call shows “gigs.” After all, as a musician, myself, I’d used the word a thousand times!

When in doubt, call Dr. John.

I had been in touch with Mac Rebennack while writing my book because we had hit it off during an interview, and I knew what a genius with language he was. His autobiography, Under a Hoodoo Moon: The Life of the Night Tripper, has its own trippy glossary of colorful New Orleans street slang.

Sure enough, when I asked Dr. John about the origin of “gig,” he had the answer I’d been searching for on the tip of his tongue.

According to Mac, musicians picked up “gig” from the illegal lottery business. The lottery terminology, in turn, was borrowed from horse racing. A two-number betting combination was called a “saddle”, and a three-number combo (the most popular play) was called a “gig.”

For club dates, musicians are typically paid from whatever is left over after the club takes its share of the door proceeds. Musicians began using “gig” to refer to a performance for which they hoped to get paid. Just like a gig bet, a club date might or might not pay off.

Some gigs were so well known that they had their own nicknames, such as “the washerwoman’s gig” (4, 11, 44) and “the dirty gig” (3, 6, 9). Of course, as Dr. John told me, “The lottery people knew that, so that ain’t gonna let that number roll too fast.”

Dr. John had such brilliant insights into the language of the blues that I asked him to write my book’s foreword. He did a fantastic job, and you can read it below!

“What a great resource, as fascinating as it is informative. Debra’s passion for the blues shines through.” – Bonnie Raitt      

“Debra’s book will teach you what you really need to know about blues history and where the blues are coming from.” – Joe Bonamassa     

“Finally one can understand the mechanics behind the overwhelming viscera of the Blues. Debra Devi’s work is a true guide book to the soul.” – Al Jourgensen (Ministry)    

“This book is fascinating! Take it to the bathroom and don’t come out until you’re done reading it.” – Jimmy Vivino     

“This is a beautiful book. Upon receiving The Language of the Blues I discovered my knowledge only scratched the surface. Debra Devi has written an invaluable reference book. And it’s also great fun to read.” – Hal Willner      

“Don’t think that The Language of the Blues might read like a dictionary or reference book. There’s no plot, but you can open it up at random and fall into the world of your favorite blues songs, and find out more about the lyrics than you would be guessing from context. I learned a lot more about the blues music I already loved.” –  Bob Margolin      

The Language of the Blues

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Debra Devi is a rock musician and the author of the award-winning blues glossary The Language of the Blues: From Alcorub to Zuzu (foreword by Dr. John). www.debradevi.com

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