Author: Don Wilcock
Don Wilcock
Now into his second half century as the warrior music journalist, Don Wilcock began his career writing “Sounds from The World” in Vietnam, a weekly reader’s digest of pop music news for grunts in the field for the then largest official Army newspaper in the world, The Army Reporter. He’s edited BluesWax, FolkWax, The King Biscuit Times, Elmore Magazine, and also BluesPrint as founder of the Northeast Blues Society. Internationally, he’s written for The Blues Foundation’s Blues Music Awards program, Blues Matters and Blues World. He wrote the definitive Buddy Guy biography 'Damn Right I’ve Got The Blues,' and is currently writing copy for a coffee table book of watercolor paintings of blues artists by Clint Herring.
The 7X BMA winner will release ‘Ain’t Nobody Worried’ on October 7th via Stony Plain Records!
“We put our hearts and souls into it. I think people will pick up on that.” Justin Saladino discusses ‘Honest Lies,’ out September 16!
Escape to a world time left behind with music that’s as timely as it is carrying an American legacy, a Disneyland for blues lovers. This year’s festival begins on Wednesday with an homage to the late Bubba Sullivan, the visionary whose devotion to blues built an event that’s become the gold standard of the genre.
‘Winter Hill Blues’ takes the listener into a very different world of Bentonia blues which he’s learned under the tutelage of 75-year-old Mississippian Jimmy “Duck” Holmes
Keith Richards on the cover of ‘Robert Johnson The Complete Recordings’ states flatly, “You want to know how good the blues can get? Well, this is it.”
Jerry Garcia has been quoted calling Kimock his “favorite unknown guitar player.” He begins a national tour on July 18 with his band Zero that has just released ‘Naught Again,’ a live album recorded in San Francisco in 1992.
Produced in three days, the new record contains a dozen cuts masterfully crafted and featuring guest vocals by Bonnie Raitt, Ruthie Foster, and Curtis Salgado, all of whom Braunagel has worked with in various capacities.
Shemekia Copeland is setting the trend for contemporary blues women on her new album ‘Done Come Too Far.’ She tells it like it is, prays to God, records with musicians from different genres, plays for the U.N. and President Obama, and flies into the frontlines of a war zone to play for our troops.
The new ‘Elvis’ film had some heavy shoes to fill, and it succeeded on all fronts.
‘I Am The Moon’ rewrites the rules on big band styles in a post pandemic world. Interview with Derek and Susan!