‘John Mayall Plays John Mayall Live at Klooks Kleek’ captures his multifaceted talent, with standout harmonica solos and powerful vocal delivery, while his collaboration with saxophonists like Nigel Stanger introduces an unexpected yet powerful brass element to the music. This live recording not only highlights Mayall’s ability to seamlessly lead his band, but it also provides a glimpse into the early stages of British blues, paving the way for future generations.
Browsing: Album Review
‘JD III’ is a raw blues journey reflecting personal struggles, resilience, and the power of music. From poignant ballads like “Tears in The Wind” to upbeat tributes and playful tracks, the album spans a range of emotions, with Phil Woollett’s gritty vocals and skillful guitar taking center stage.
John Primer teams up with harp master Giles Robson on ‘Ten Chicago Blues Classics,’ out December 6, delivering a high-energy tribute to the timeless spirit of ’50s Chicago blues. With soulful renditions of Muddy Waters, Little Walter, and Sonny Boy Williamson tracks, the duo’s seamless interplay and technical prowess breathe new life into these iconic songs.
‘Double Measures’ is an intriguing and very special album with a raw authenticity courtesy of Jen Clark’s expert production, tracking the band live in her attic studio. Liz has a voice and a band of musicians steeped in the blues.
When a sprightly octogenarian saxophonist and co-founder of England’s Marshall Amplifiers releases a debut album, it is not surprising that the music world holds its breath. Over 60 years ago Terry Marshall and his dad Jim began building the guitar amplifiers which bore their name. This signature brand became synonymous with the exponential popularity of rock music and electric blues.
‘Living The Blues,’ released through his very own Marshall Records, is out now!
Out now, this seven-track album combines raw emotion with thoughtful introspection, presenting a deeply relatable look at the highs and lows of the human experience.
It’s the first solo album in nearly ten years from the esteemed Allman Brothers guitarist and Gov’t Mule founder, marking a departure from his previous, more acoustic-focused solo project.
According to Jackson in a recent phone interview this release “is very story-oriented” being “an archival piece about the culture and the story, as we know the blues.” The idea is that “the musician, accompanist should always follow the storyteller.”
This latest opus certainly keeps Taylor on an upward trajectory. Meteorologically there may be no end to a rainbow but that won’t deter Sean from searching for and pursuing his lifelong quest for music perfection, love and peace.
Fusing Hall’s straightforward musical influences and stellar harp with quirky lyrics and often ethereal effects, ‘Did We Come Here to Dance’ is a delightfully original and fun album.