It came as no surprise that Robbie Fulks, Chicago’s most prolific Renaissance man, created a veritable love fest at Chicago’s City Winery Friday night. Although the L.A. transplant has enjoyed a solid reputation as a solo singer-songwriter, he is known as much for his poker-faced wit as his sonorous and scrappy vocals.

He performed this time around with a stealthy line up, which included sax/clarinetist Eric Schneider (Count Basie, Earl Hines) and trio of animated backing vocalists and screaming keys. To that end, the sold-out crowd enjoyed poignant balladry and foot-stomping licks from the soon-to-be released 16 through Bloodshot Records on November 1st, plus a deeper dive that unveiled covers and confessionals from his 13-album legacy.

Highlights included the haunting “Parallel Bars” — a tune about a country singer who is aging and bitter from his collaborative Wild! Wild! Wild! — and the honky-tonk tale of “Whiskey River.”

Fulks and his ensemble will finish up the leg of this current tour in the American South and ring in the new year with a series of performances on the West Coast. Admits Fulks, “I was always anti-L.A., but it kind of sucked me in.” Just saying, Robbie, if you get a little homesick, we wouldn’t mind if you hurried on back.

 

http: www.robbiefulks.com

http://www.robbiefulks.com/tour-1

 

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Lisa Torem analyzed the studio work of Tori Amos, Billy Joel, and Suzanne Vega for the Sonicbond On Track Series and co-authored Through The Eye of The Tiger and All That Glitters: The Ava Cherry Story. She has interviewed members of Yes, The Animals, The Zombies, The Kinks, Cream, Thin Lizzy, Wings, Jethro Tull, Dave Brubeck, Darlene Love, Donovan, Buffy Sainte-Marie, Judy Collins, and more—including an unforgettable visit to Jimmy Webb. A native Chicagoan, she critiques music books for pennyblackmusic’s Raging Pages and is a staff writer. Lisa is also a composer and performer, playing in a big band featuring her latest jazz ballad, contributing original compositions to indie films, and having her multi-cultural collection Singlish orchestrated by American Women Composers. Her one-act play Dog Sharing appeared at NY’s Love Creek Theater.

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