Grammy-winning songwriter and producer Paula Cole has announced her upcoming album American Quilt. “I wanted this album to reflect a patchwork of music from the cities and the mountains, the fields and the rivers,” writes Cole. “From movies, to melodies that traversed oceans, centuries, cultures, and continents – sewn together with our collective heartstrings.” American Quilt will be released on May 21st through Renew Records / BMG.
With a musical catalog defined by honest and deeply personal lyrics carried by her powerful, radiant voice, Cole has always had a gift for discerning the underlying humanity in stories from her own life as well as those around her, and channeling those emotional elements into captivating music. On American Quilt, Cole applies this natural insight to American history and musical roots traditions by interpreting a selection of classic songs – each of which provide an entry point for rediscovering the overlooked stories and figures that populate America’s interwoven cultural lineage.
The album was produced by Cole, who was the first woman nominated (without collaborators) as Producer of the Year at the 1997 Grammy awards. She garnered a total of seven Grammy nominations that year and won “Best New Artist” for her second album and major-label debut, This Fire, with its timeless hits, “Where Have All the Cowboys Gone?” and “I Don’t Want to Wait” (later the theme song for hit TV series Dawson’s Creek). Today, as a visiting scholar at Berklee College of Music, Cole tells “all my female students, ‘Start thinking like a producer, think about how you want the whole track to sound, be a voice.’”
“Together these songs make an American Quilt,” says Cole, “a patchwork of heritage, a stitched-together-history of culture both painful and beautiful. I hope the listener will step inside the canoe and float down the Missouri River of their mind. I hope they will hear the gospel of the country, and taste the liquor in the speakeasies. I hope they will feel the freedom in the jazz of the cities, heed the call to morality in the spirituality of a day’s hard work, and the call to the Great Beyond from the Appalachians.”
An 18th-century mountain ballad, “Wayfaring Stranger,” came to Cole via Emmylou Harris, whose own version of the song appeared on 1980’s Roses in the Snow, and was “a profound influence” on Cole. “It’s a nod to Emmylou because I love her so dearly and she’s so important in my life,” says Cole. Featuring recent Berklee grad Kathleen Parks on fiddle and Ross Gallagher on upright bass, “Wayfaring Stranger” is “a song of hope for world-weary travelers who endure suffering and heartache and fantasize about the great beyond over Jordan and reuniting with loved ones.”
As on previous albums, Cole was joined by a longtime “family” of musicians, including esteemed drummer Jay Bellerose and guitarist Kevin Barry, collaborators since the trio’s days at Berklee.
*Feature image photo by Ebru Yildiz