Tony Joe White’s 1980 album ‘The Real Thang’ returns, newly reissued under the direction of his son Jody White. The release features all eight original tracks plus 10 never-before-heard songs pulled from Tony’s personal archives — a treasure trove Jody only discovered after his father’s passing.

Priest, poet, and troubadour. On ‘Forbidden Hymns,’ John finds hope and conviction in the struggle for a better world, transforming reflection into resistance. The album is produced by GRAMMY-winning Ken Coomer (drummer for Wilco, Uncle Tupelo, Steve Earle) and features John Carter Cash on a song about living fully: “No One Gets Out of Here Alive.”

Tom Rush at 84: still writing songs and working on four books. Boston Symphony Hall, take note—this guy plans to play your stage on his 100th birthday. Connection > perfection, every time.

Mark Wenner has led The Nighthawks for over 50 years, delivering rootsy, heart-on-the-sleeve blues that never waver. In our latest conversation, he talks music, motorcycles, and why he’s still playing as much—and as well—as ever.

Nick Hexum takes a solo turn down Americana and bluegrass roads, revealing his new album, tour surprises, and the bonds that have kept 311 together for three decades.

The Gravamen’s new album bottles lightning, thunder, and everything in between.

Reed Turchi’s “Walk With Me” goes electric: an intimate, slide-driven evolution that reveals the North Mississippi blues lineage, ensemble chemistry, and fresh textures not heard on record.

Old-school soul, new-school style: Mckinley James opens up about his debut album, working with Dan Auerbach, and making music with family by his side—with our Australia correspondent at AmericanaFest.

American Blues Scene’s Australian correspondent traveled to Nashville’s AmericanaFest to catch up with Zach Ernst, guitarist and curator behind Austin’s legendary Antone’s. At the heart of Antone’s 50th anniversary celebration, Ernst discussed his journey with the club, the making of ‘The Last Real Texas Blues Album,’ and his ongoing mission to connect Austin’s rich blues history with a new generation of artists. By pairing veteran and rising musicians, creating a museum, and expanding the Austin Blues Festival, Ernst demonstrates that the blues are far from fading into the background.