Christopher Cross, Men at Work, and Toto rolled through Phoenix, Arizona, as their celebrated tour continued across the country. With decades of chart-topping success and instantly recognizable songs, this triple bill found a lineup of true hitmakers sharing one stage.
Yacht rock smoothness, new wave swagger, and arena rock power; the night promised wall-to-wall classics that have stood the test of time. These are the songs that have filled the airwaves for generations, tunes many still know by heart. Christopher Cross kicked off the night in true Yacht Rock fashion, immediately transporting the crowd back to the smooth, melodic sounds of the late ’70s and early ’80s. Dressed in a striking shade of purple to match his guitar, Cross looked and sounded right at home on stage, surrounded by a top-tier band and backup vocalists who gave each song depth and polish.
Early in his set, hits like “I Really Don’t Know Anymore” and the Grammy-winning “Sailing” brought the mellow crowd to their feet — slowly at first, but with growing energy. “Sailing” earned Cross his first standing ovation of the evening, a well-deserved recognition of both the song’s emotional weight and his enduring vocal strength.
While the audience started out reserved, it didn’t take long for Cross to warm them up. Familiar favorites kept coming, with “Arthur’s Theme (Best That You Can Do)” prompting a wave of nostalgia that visibly moved the crowd. As the set progressed, “No Time for Talk” had fans singing along, fully engaged and in sync with the music.
Before his final number, Cross smiled and asked the sold-out crowd if they’d ever heard of a song called “Ride Like the Wind.” The response was immediate: cheers, applause, and pure excitement. As the band launched into the opening chords, the audience finally rose as one. The energy in the room peaked, and Cross delivered a powerful closing performance that reminded everyone why his music still resonates decades later. It was a set full of class, and “Ride Like the Wind” alone was worth the price of admission.
Next up were MTV-era icons Men at Work, led by the unmistakable voice and wit of frontman Colin Hay. The band hit the stage with energy and purpose, ready to show Phoenix that they’ve still got plenty of fire and the songs to prove it.
From the first few notes, their signature sound was instantly recognizable, striking a chord with fans young and old. Hay and his band delivered a tight, hit-filled set that pulled smiles from the crowd and even got some fans dancing in the aisles.
Colin Hay’s trademark dry humor and distinctive Australian accent added a personal touch to the performance. Between songs, his storytelling had the audience laughing out loud. And when the music kicked back in, arms swayed and feet tapped along in rhythm.
“Down by the Sea” was a turning point in the set, drawing cheers and full attention as the band leaned into the deep groove of the track. Then came the big crowd-pleasers: “It’s a Mistake” and the always-explosive “Who Can It Be Now?” The latter, arguably their biggest hit, brought the house down — fans belting out the chorus and knocking on imaginary doors in unison. It was a joyous, communal moment.
The energy surged again for “Down Under,” the song that helped define the early ’80s and still gets airplay around the world. The Phoenix crowd sang every word, turning the venue into a singalong party. Hay closed the set with heartfelt thanks to both the crowd and his bandmates, then launched into “Be Good Johnny.” With its playful rhythm and audience participation, it was the perfect capstone to a set full of nostalgia, fun, and genuine connection. Men at Work didn’t just meet expectations; they reminded everyone why they became global stars in the first place.
Toto, the final act, took the stage. Lead singer Joseph Williams belted out most of the hits with the other original guitar player who needs no introduction, Steve Lukather. Toto dove into their early catalog and immediately flipped the switch on the once-relaxed crowd. “Rosanna” and “99” had fans on their feet, dancing and singing along to every word. With the energy turned all the way up, sitting down was no longer an option — and kudos to the band for creating that kind of irresistible atmosphere.
The hits kept rolling. “Georgy Porgy” turned into another crowd-wide singalong, with fans fully locked in. By this point, Toto had clearly taken command of the night. As the set built toward its climax, they launched into “Hold the Line,” one of their most iconic anthems. It brought down the house with a standing ovation that echoed through the Valley of the Sun. But just when it seemed like the show had peaked, the band had one more surprise in store.
Steve Lukather and Joseph Williams returned to the mic to thank the crowd and then invited Colin Hay and members of Men at Work back to the stage for a powerful rendition of “Africa.” Lukather teased the audience, saying, “I bet you know what’s next,” and the crowd roared in anticipation.
The entire venue lit up as thousands of voices joined in. And when Colin Hay stepped in for a verse, it felt like a rare and unforgettable moment. Toto, Men at Work, and Christopher Cross will always have a place in my personal library of legends.
For upcoming tour dates, head here; this is a tour you don’t want to miss.
Christopher Cross Setlist:
All Right
Never Be the Same
I Really Don’t Know Anymore
Sailing
Think of Laura
Arthur’s Theme
The Light is On
No Time for Talk
Ride Like the Wind
Men at Work Setlist:
Music for a Found Harmonium
No Restrictions
Can’t Take This Town
Down by the Sea
Overkill
It’s a Mistake
Who Can it Be
Down Under
Be Good Johnny
Toto Setlist:
Child’s Anthem
Carmen
Rosanna
99
Minefields
Pamela
I Won’t Hold You Back
Angel Don’t Cry
Georgy Porgy
White Sister
I’ll Be Over You
Stop Loving You
I’ll Supply the Love
Hold the Line
Africa
