Author: Casebeer

Casebeer's first introduction to music was Elvis. Like many of his generation he grew up loving roots based sounds and his first introduction to the blues was through the bands that are considered classic rock now. He has a deep love of the blues, loves to talk about it, loves to write about it and loves to watch it live on stage, with or without.a camera in his hand.

Here is a video from one my favorite singers, Curtis Salgado, performing on the 2009 Blues Music Awards. I am in the process of conducting a lengthy interview with Mr. Salgado that just seems to go on and on. The thing is, this guy has seen and done more in life than most of us ever will. We are digging deep into the John Belushi story and I think you’ll it most interesting when it is done. He has also invited me down to the recording studio in Portland in a few weeks to hang out while he lays down…

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The first thing that jumped out at me was this booming, powerful voice. Tom Dudley, The Blues Buddha, is definitely a very talented singer with incredible range. He seems to float all over the place from Blues, Rhythm and Blues, Country. His thundering voice most definitely fits his Buddha-Like physic. The lyrics are very catchy and this is without a doubt, one extremely talented bunch of musicians. The boogie-woogie piano and sax work throughout fits like a glove and I really like the stepped up feel of this release. The song “Buddha Boogie” may seem a little cliche at first…

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We have been very busy at the American Blues Scene in this last month. We have reviewed a massive stack of CD’s and interviewed some of the best blues players out there right now, with more to come. 2011 looks to be very interesting for us and we are excited to share what we find with you. Today we’d like to share a video from Dudley Taft, a good friend of the American Blues Scene. This is a live video from the Miller Stage at the 2010 Portland Waterfront Blues Festival. Watch this video and you’ll see why Robert Plant…

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In the summer of 2009 the trio played a string of big blues & jazz festivals all over Europe. During those long travels they got a lot of ideas for new songs. So in the middle of the tour they went into the studio for two days and recorded a new record (AIN’T GOTTA DIME). All songs were played live in the studio without any overdubs and for most songs the first take turned out to be the best one. This is exactly how they sound live. Unlike many modern blues bands, Boo Boo and his band focus on the…

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