Reflecting on the many talents and contributions of Charlie Daniels (1936 – 1920)
Author: Don Wilcock
Jerry told me in 1979, “We’re strictly working people, really. We’ve never been rich. I think that works out pretty well.”
He’s calling this his country album – one that captures the best efforts of a very complex man
The scariest part of all this is that some younger people who are rightfully impatient about sequestering, are throwing caution to the wind.
“I really respect Buddy’s depth,” Herring said. “That fire was exactly what I wanted to see happen. Sometimes it happens: his electricity, that fire.”
Something had soured Grace in the quarter century since “White Rabbit.” Maybe it was the fact that despite their early success they hadn’t saved a lot of money.
B.B. and Bobby were wound up like a cheap watch to be playing on the same stage with each other. This was the very top of the line of urban blues.
“They said, ‘Man, that’s what you should have done.’ But I thought it wasn’t good enough.”
The Haight nurtured a pioneering spirit made up of musicians unfettered by the conventions of postwar American society ready to rewrite the very fundamentals of everyday life. It’s going to take a similar view of freedom for music to function and thrive in the wake of the pandemic.
As blues has always done, this presentation was a rallying cry for all of humanity, giving notice to a tiny but deadly enemy that we SHALL overcome.