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“’Alligator Fish’ is a freestyle blues incantation over one cord, channeling dire predictions à la Charley Patton,” Mathus told us. “I’m related to Charley through my Delta family.”
If ‘Soulfire’ stands as the last word at the end of one chapter of Van Zandt’s long career, ‘Summer of Sorcery’ marks the start of what comes next.
“I remember hearing Slim Harpo’s ‘Scratch My Back’ on AM radio in Rhode Island. I can still recall where I was, who I was with, and how that sound just went through me like a bolt of lightning!” – Duke Robillard
Robin Trower’s newest album, ‘Coming Closer to the Day,’ has been officially released on this 22nd day of March. “I’m very happy with it; I’m very pleased with it,” he told us.
‘Into the Soul’ could just as easily be emanating from an AM/FM radio in the 1970s, with influences spread across several genres but still distinguishing Hyde as a singular artist with a unique musical vision.
Whether or not Fowler studied James Brown, Bootsy Collins, or George Clinton is irrelevant. Either way, he found “the one,” and puts that magical number forefront on this song.
If you take the time to get the right performance, you’re going to end up with the best record.” – Gary Hoey
Mentored by Motown Master Barrett Strong, Neals has taken the soul-rock-blues world by storm. Her operatically trained voice, combined with stellar writing and instrumental skills have sent her skyrocketing into the musical stratosphere.
‘Walking to New Orleans’ is George Benson’s 45th album, and few sound quite as loose-limbed and flat-out fun as this one.
On May 3rd, 2019, Omnivore Recordings will release ‘The Blues Came Falling Down – Live 1973,’ an album of previously unheard performances by Shines recorded at Washington University’s Graham Chapel in St. Louis.