Interspersed along with the music are interview tracks. One gem from these is when Lomax asks Waters “Is [Son] House a better player than [Robert] Johnson is, ya think?” Waters answers, “I think they’re both about equal.”

“In all he did, he was so positive. He was such a gentleman and a role model. He did not drink or use drugs, and he always had such a positive energy. That’s why everyone loved him and enjoyed having him around.”

If you happened to be at the right stage at the right time you could witness things like The Reverend Peyton playing slide on a three-string cigar box guitar, or, catch a rip-roaring musical sermon from soulful Nashville singer Mike Farris.

Kingfish walked off the stage, joining the crowd on the green, jamming out using a wireless amplifier. It was reminiscent of a recent Buddy Guy performance I saw…

This is the one that might have sealed his reputation.

Among other treasures are a hand-written song book from Lightnin’ Hopkins, a signed B.B. King Gibson “Lucille” guitar, and much, much more.

This album is a timeless classic, and should be mandatory listening for anyone aspiring to be a guitarist of merit. It is without doubt one of the finest blues records ever recorded and well worth the price of admission, and then some.

“I try to get through to people one opportunity at a time. We do the hard work of showing people we’re not that different.”

This album provides varying snapshots of Chicago blues, leaving a listener hard pressed to decide on a single favorite! If Chicago blues is your scene, then ‘Slip Into A Dream’ is just the ticket.

“Life is a tour, and it’s all about how you decide to get where you’re going… I don’t want to ignore the bad things in life, but I want to emphasize the good things.”