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Ghalia and Mama’s Boys Turn Blues on It’s Head with ‘Let The Demons Out’

Steven OvadiaMarch 6, 2018

It’s always nice to see artists turn the blues on its head a little bit.

20 Questions With Andrew McGibbon, Jr. of The Bonnevilles

JD NashMarch 5, 2018

“Then I heard RL Burnside’s ‘A Ass Pocket Of Whiskey’ album which is pretty much my favourite record of all time. It literally changed my life.” – Andrew McGibbon, Jr.

Eric Corne Calls the World to Task on ‘Happy Songs For The Apocalypse’

JD NashMarch 5, 2018

Taking roots-rock, blues, alt country, and folk, Corne blends the twelve tracks on ‘Happy Songs For The Apocalypse’ into a sonically engaging offering.

Sterling Ball, John Ferraro, & Jim Cox Are ‘The Mutual Admiration Society’

JD NashMarch 2, 2018

The idea was for a group of close musical friends to have fun recording an album. Nailed it!

World Premiere Exclusive: Stew Cutler – “Before I Go”

Barry KerznerMarch 1, 2018

We are pleased to bring you “Before I Go,” which has Bobby Harden joining Cutler for a bodacious, funky, groovin’ celebration.

Robert Gordon Captures Junior Kimbrough on ‘Memphis Rent Party’

Barry KerznerMarch 1, 2018

“Tenants who needed to make rent would throw a party where they lived, pushing all the furniture back to allow more room for dancing…”

Elise Legrow Reimagines Classics with ‘Playing Chess’

Barry KerznerFebruary 27, 2018

The sheer audacity to envision these tracks as she has and then deliver them with the fearless and unabashed abandon she does speaks volumes.

John Mayall Comes Alive on ‘Three for the Road’

Barry KerznerFebruary 27, 2018

Aside from the new trio format and the live presentation, what adds exponentially to this experience is the mix. It’s ambient, raw, sparse, and immediate.

Michelle Malone Fires ‘Slings & Arrows’ and Strikes Gold

JD NashFebruary 26, 2018

In a sea of “self-professed rootsy rebels,” Michelle Malone stands as a beacon. She is the real-deal, and ‘Slings & Arrows’ is her validation.

San Francisco’s Biscuits and Blues Serves Up Good Times

Barry KerznerFebruary 25, 2018

“I go to the IBC every year, and I look at the talent because I get to see them first-hand. Their desire to excel is what I’m looking for.”

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