‘Crown,’ out today, follows the pattern of Eric Gales’ previous albums in addressing social issues of a man who doesn’t understand why the color of a man’s skin should preclude how he’s treated.
Browsing: Interview
“Bruce can do anything he wants because the guys behind him are so solid.” Robert Allen discusses ’21st Century Rock ‘n Roll’ (ft. E Street members Max Weinberg and Garry Tallent) — a remastered collection honoring gifted engineer Ben Elliott, out now!
Mike Zito ignored the naysayers when he formed his record label. And he’s ahead of the curve with his new album ‘Blues for the Southside,’ a 17-cut live extravaganza that will blow your head off and “take you there” as the Staple Singers would say.
More than 60 years after first helping to break the glass ceiling by defining the sultry siren in the all-male rock and roll bastion, Ronnie Spector remained a role model for contemporary artists like the late Amy Winehouse
“I wish only to keep releasing songs people can relate to in some way.”
“It’s definitely an acoustic guitar record. But topically it is just individual songs.”
Keith Richards once told Bill Payne that Little Feat and The Stones were part of an exclusive club both bands belong to. “He pulls me in, and he says we’re all part of the same cloth.”
“Music is like a language, and to be fluid one has to be articulate, and to be articulate it takes a lot of practice. It is important to ‘own’ the guitar and vocals.”
Conversations with iconic duo Larry and Teresa are like an open jam where two guitarists vamp off each other, or a first date where a couple clicks and both people know and trust the time together is magic.
Jorma is perhaps the most unassuming rock icon I’ve ever interviewed. Not only did The Jefferson Airplane bring psychedelic music of the ’60s to a wider audience than The Grateful Dead scored for more than a decade to come, but Jorma’s work with Hot Tuna opened a door to folk fans that Dylan had first explored when he went electric.