“’That’s What the Blues Are For’ is a retro, heavily blues influenced song with a Nashville lyric twist. It is a request for truth in a relationship, but in an ‘in your face’ kinda way.” – Mike T. Lewis of The Twangtown Paramours
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More than 60 years after first helping to break the glass ceiling by defining the sultry siren in the all-male rock and roll bastion, Ronnie Spector remained a role model for contemporary artists like the late Amy Winehouse
“You can’t hide the truth forever/It eventually comes out…Facts are facts/There’s no spinning that/That’s the thing about the truth.”
If we as a society have any sanity left, it will be the arts that see us through
The arts will hold our hands through the darkness. These are the backstories of five artists who provided us with survival soundtracks for the year that never seemed to end.
It has been a traumatic 21 months for touring musicians across the world but that hasn’t stopped them from recording some stellar albums which I have chosen to share with you this Christmas.
“I feel if you don’t go out there, if you don’t mingle among the people, how are you going to know what they need to know, and hear what they need to hear? That’s the good part. That’s the best part. Just treat everyone right.”
“I had a pretty good memory of this material, but when I actually heard it again I was delighted that it really is great. Sam was always strangely unconcerned about stardom, but he was a star anyway. When you play the record, you’ll see what I mean.” – Mitch Easter
“The banjo has a plunky, non-sustaining tone. Still, I believe the banjo deserves to be an instrument of the blues. Even its history could be a blues song!” – Poet laureate Norbert Krapf
Chloe Kay was moved to write the track after Stevie Ray Vaughan and Double Trouble’s iconic drummer Chris ‘Whipper’ Layton recounted a story to her during an interview for ‘ABS’ about him and Stevie overcoming challenges together to make it in time to one of their concerts.
