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This is an excellent roots music experience. Wishing Well is exquisitely played, well mixed, and most importantly, shares the love of this music with the listener.
We will say this is the finest acoustic guitar playing we have heard in quite some time. The picking on “Avalon” and “Got The Blues Can’t Be Satisfied” will blow you away! “Spike Driver Blues” and “Stagolee” are equally exquisite.
Kim Wilson’s singing has never been better! His harp playing is inspired, but brilliantly restrained, making it all the more poignant. Again, the band does a spectacular job, and the playing is impressive throughout. This is an excellent album, and definitely worth the long wait.
This is the best work Ronnie Earl & The Broadcasters have put on disc in years. Good sound quality and a great mix make this album really easy on the ears too.
Produced and engineered by Tab Benoit at his Whiskey Bayou Studios, Easy Livin’ is a well rounded album. Great sound quality and an excellent mix make this an easy album to listen to, and really lets the music shine.
Hadden Sayers had made his success the hard way; he has earned it. He has talent and he’s honed that talent playing over 200 gigs a year. He has persisted in the face of shady deals, less than honest agents, and crooked record labels. But above everything else is his love of soul, desire to succeed, and dedication to playing some seriously mean guitar.
He’s been called a “virtuoso vocalist.” He is notorious for his relentless touring schedule. His blues is tinged with soul, and his brand of soul is infused with blues. His harp playing has been called “insanely good.” He has been nominated for nine Blues Music Awards.
In a lot of ways, ‘Til Your River Runs Dry is a very personal album. Burdon looks at those that are gone, and himself as well. He also looks at the world around him. There is a host of good material here.
Can’t Get Enough by The Rides is the kind of album a supergroup should be making. It leaves you wanting more.
Wheeler is from the school of “I will let my guitar do the talking.” He knows when to let loose, and when to let things breathe a bit. He does not try to impress with a million notes in 12 bars. All his playing makes sense, is for the betterment of the song, and every note belongs right where he plays it.